Baby You Left Me a Broken Man Lyrics Oldies
Anthology covers from Amazon Music
Nosotros all bask a celebratory and, cartel we say it, slightly sappy honey song that revels in the beauty of homo connection. But sometimes the track that actually hits habitation is more somber.
Some of the sad love songs in this drove have the capacity to make you cry, and may even assistance you mend a broken heart after a breakup. A handful of '90s classics (Whitney Houston's "I Will Always Love You," Toni Braxton's "United nations-Interruption My Heart") and R&B; hits are on the list, every bit are sweeter numbers that would be at domicile on a Valentine's Day playlist if you're spending the holiday solo. Many sift through the rubble of past relationships (Drake'due south "Marvin's Room," Lauryn Hill'southward "Ex-Factor"), while others are nearly the momentary relief of connectedness, even if you know information technology's not with the correct person (Sam Smith'southward "Stay With Me," Bonnie Raitt's, "I Can't Make You Beloved Me"). And emotional classics by Joni Mitchell, Carole King, and Fleetwood Mac prove that while sonic manner and songwriting changes over the decades, the raw feeling of heartbreak will ever exist relatable.
Y'all may exist trying to rekindle a smothered spark, dealing with quarantine-related long distance drama, or struggling with keeping your dating life going this winter. Whatever'south causing y'all strife, we hope you'll detect catharsis in 1 of these sorry love songs.
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"Someone Like You" by Adele
Adele is the patron saint of powerhouse ballads, and "Someone Like You" ranks upwardly in that location with her very best. Adele'due south voice tin soar on top of a 30-piece orchestra, but here she'due south accompanied by a simple pianoforte part every bit she addresses an ex who has moved on and plant new love.
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"Landslide" by Fleetwood Mac
The intra-band romantic drama that fueled Fleetwood Mac'due south historicRumorsrecord is well documented, but even before its 1977 release, they were penning dearest songs that stuck to your ribs. One such track was "Landslide," a gorgeous, lilting showcase for vocalist Stevie Nicks most how dear, in all its forms, never stays static.
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"Expiry by a Thousand Cuts" by Taylor Swift
Taylor Swift has mined the details of her own romantic life to dandy success, but onLover's"Decease by a G Cuts" she switched her approach, cartoon inspiration from the Netflix rom-comSomeone Great.
The rail itself is vintage Swift. She fills the twinkling Jack Antonoff production with vivid imagery–haunted clubs, boarded upward windows, and harsh hungover mornings. "Decease by a 1000 Cuts" captures the true aftermath of a breakdown, and the way the hurting comes in small, unexpected ways, non necessarily all at once.
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"I Will Always Love Yous" by Whitney Houston
Someday a song tin can be distinguished by a single annotation, you lot know that it's made an impact. Whitney Houston'due south encompass of Dolly Parton's "I Will Always Honey You lot," which appeared onThe Babysittersoundtrack, is one of the 20th century'south defining ballads. Houston kept the methodical pacing of Parton's original, but turned it into a simmering deadening jam that fit perfectly into the '90s trend of moody, glacial radio hits.
Fifty-fifty when you know exactly what the vocal is building up to, the moment where Houston hits that sky-scraping note on the concluding hook, always feels stirring.
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"I Tin't Make You Love Me" by Bonnie Raitt
Bonnie Raitt's 1991 heartbreaker "I Tin't Brand You Love Me" is considered to be among the best songs ever written. Raitt makes the lyrics, written by Mike Reid and Allen Shamblin, absolutely leap off the page, turning the vocal into a tearjerker nearly accepting that you can't modify the way another person feels inside.
"'Cause I can't brand you love me if you lot don't / You tin can't make your eye feel something it won't," she sings.
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"Information technology'due south Too Late" past Carole Rex
Carole King'southward landmark 1971 albumTapestryis filled with gorgeous, poignant songs about heartbreak brought to life through King's vivid lyricism. "It's Also Late" was one of the album's most popular tracks. It captures the point at the end of a relationship where there simply isn't much left to say. Both people have tried their all-time, but it'southward just not meant to exist.
"There'll be good times again for me and y'all / Merely nosotros simply tin't stay together, don't yous feel it, too," she sings.
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"Cuz I Dearest You" by Lizzo
The title track of Lizzo's breakout anthology sees the multitalented musician indulging her inner diva. From the opening line, she's belting as powerfully equally she ever has, channeling the spirit of Aretha and Whitney. Much of Lizzo'due south music explores her own sense of self-worth and independence, but on "Cuz I Love You" she opens upwards about what she'll do for honey.
"Got me standing in the pelting / Gotta get my hair pressed once again / I would practise it for you lot all, my friend," she promises.
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"Close to You" by Rihanna
Rihanna'southward 2016 opusANTIsmartly stripped away much of the gloss and glitz of pop superstardom, giving her more room to emote equally a vocalist. That produced several powerful tracks ("Higher," "Love on the Brain," "Needed Me"), also as "Shut to You," a moving piano vocal almost a relationship crumbling in slow motion that plays like a sequel to 2012'due south "Stay."
"Cipher but a tear, that's all for breakfast / Watching you pretend you're unaffected," she sings.
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"Both Sides Now" by Joni Mitchell
Inspired by Saul Bellow'sHenderson the Pelting Rex,Joni Mitchell'south "Both Sides Now" is an ode to shifting perspectives and to agreement someone's motivations that were previously alien to you. Every bit with Mitchell's best music, it's depicted through gorgeous nature imagery–clouds that look like "ice cream castles," and "angel hair"–and sung in her delicate, lilting cadence.
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"I Don't Love You lot Anymore" by ANOHNI
From the climate crisis to the casualties of drone strikes in the Centre East, ANOHNI has a souvenir for using the style and structure of dance music to tell urgent stories. "I Don't Love Yous Anymore" is relatively straightforward–even its video is simply a six-infinitesimal shot of the vocaliser–merely her voice is so stunning and wounded that you hang on every word.
"You left me in a cage / My only defense was rage," she sings, her voice crimper into a slight snarl, mimicking the way heartbreak and so often hardens into anger.
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"Stay With Me" by Sam Smith
Sam Smith has written plenty of songs about the bluer side of romance, simply their hitting single "Stay With Me" goes to a different place. The runway is somewhere between booze-fueled longing and sober honesty. Smith knows that the connection they share with the song'south subject is nothing like true love, merely notwithstanding a favorable culling to isolation.
"Deep down I know this never works / But you tin lay with me so it doesn't hurt," they plead.
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"Dreaming With a Broken Middle" by John Mayer
John Mayer'due south "Dreaming With a Broken Middle" morphs from a delicate piano ballad to chugging dejection rock jam, showcasing the breadth of Mayer's talent that made him such a star throughout the '00s. His breathy, raspy voice is uniquely suited for songs similar this: smooth and sultry, but emotional on the surface.
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"Tears Dry on Their Own" past Amy Winehouse
With the help of producer Salaam Remi, Amy Winehouse made "Tears Dry on Their Ain," a modern spin on the long lineage of Motown'due south sad love songs. It fifty-fifty flips Marvin Gaye and Tami Terrell's "Ain't No Mountain Loftier Enough."
Winehouse's smoky, velvet-lined jazz society vocalisation is put to corking employ here, restrained and conversational on the verses, gradually swelling in volume and tone on the hook to match the song's horns.
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"Give My Love to Rose" by Johnny Cash
Johnny Cash originally penned "Give My Love to Rose" back in 1957, but it proved to exist such a staple of his catalog that he rerecorded it multiple times, including for his 2002 recordAmerican IV: The Man Comes Around.
The track is vintage Cash. It's a masterclass in storytelling, as he stumbles upon a dying man past the railroad tracks who, in his final moments, tells Cash to go see his dearest Rose and their son. He even expresses that he wants his wife to find a new person to love.
"Tell my Rose to try to discover another / 'Cause it ain't correct that she should live alone," Greenbacks sings.
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"Skinny Love" by Bon Iver
There are approximately 1 one thousand thousand covers of Bon Iver's "Skinny Love," but none of them hitting your gut quite like the original (Birdy'due south piano-powered take comes closest). The song, which helped plow Bon Iver into an indie phenomenon, is minimalist in its presentation, only cinematic in emotional scope. Throughout, Vernon's voice croaks and breaks, as if he's struggling to get the words out.
"Yous're in a relationship considering you need aid, but that'due south not necessarily why youshould be in a relationship. And that's skinny. It doesn't accept weight," Bon Iver's Justin Vernon told Pitchfork about the vocal. "Skinny love doesn't have a risk because it'southward not nourished.
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"Irreplaceable" by Beyoncé
Beyoncé set aside the delicate dear songs with "Irreplaceable," a chart-topping ode to knowing your worth and not letting anyone endeavour to lower information technology. The vocal plays every bit a prelude to some of her meatier work onBeyoncéandLemonade,and sees her sending an unfaithful former flame out the door expeditiously.
"Rollin' her 'round in the motorcar that I bought you / Baby, drop them keys / Hurry upwardly before your taxi leaves," Beyoncé warns.
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"Drew Barrymore" by SZA
On "Drew Barrymore," SZA gets all psyched upwardly to run across someone at a party, only to find that they showed upwardly with another girl. The song captures the whiplash of butterflies turning to stone in your stomach, as she sings achingly about how sometimes romance and disappointment can feel as linked as hangovers and alcohol.
"It's hard plenty you got to treat me like this / Lonely plenty to allow y'all treat me like this," SZA laments.
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"Fix Yous" past Coldplay
Written by Chris Martin as a tribute to his so-wife, Gwyneth Paltrow's belatedly father, "Ready You" is one of Coldplay's most affecting songs in a discography filled with enough tearjerkers to flood a stadium. Though the song primarily deals with death and moving on from that kind of loss, its lyrics are easy to graft onto a romance.
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"When I Was Your Human being" by Bruno Mars
Few A-listers are as proficient at lost love ballads as Bruno Mars, who has topped charts and fabricated eyes water with songs like "Talking to the Moon," "It Volition Pelting," and "When I Was Your Man." The latter is perhaps the best of the lot, inspired by '70s piano ballads like The Commodores' "Still," and featuring one of Mars' virtually searing hooks.
"I should accept bought you flowers / And held your mitt / Should accept gave yous all my hours / When I had the hazard," he laments.
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"Play a Lamentable Song" by The Supremes
Back in the early '60s, Diana Ross and The Supremes' 3 other core vocalists were merely teenagers, but they could capture the feeling of a lifetime'south worth of heartbreak on records like "Play a Sad Vocal." Penned by Motown mastermind Drupe Gordy, the track has cinematic horns and strings that serve equally a fitting backdrop for the intertwined harmonies of these preternaturally gifted immature vocalists.
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"Alive With the Glory of Dearest" by Say Anything
Say Annihilation's "Live With the Celebrity of Dearest" beard not just with the urgency and agony of young love, but because of its chilling backdrop. The song is about the relationship between singer Max Bemis' grandparents, who are Holocaust survivors, and their time hiding from the nazis.
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"Un-Break My Middle" by Toni Braxton
The '90s were the golden era of slow jam ballads, and only a few songs captured that crying-in-a-rainstorm melodrama also as Toni Braxton's "Un-Break My Centre."
The song conspicuously resonated with a lot of jilted listeners, equally it was named i of the 20 biggestHot 100hits of all fourth dimension in 2018.
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"Your Mitt Holding Mine" by Yellow Days
Yellow Days' George van den Broek was simply 17 when he bankrupt through with "Your Hand Holding Mine," simply that'due south hard to guess past the audio of his phonation. Van den Broek has a commanding baritone, frequently likened to boyfriend alt outsider Rex Krule.
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"Every Rose Has Its Thorn" by Toxicant
A quintessential '80s ability ballad, what Poison's "Every Rose Has Its Thorn" lacks in subtlety information technology more than than makes upwards for with center-on-the-sleeve candor. Long before his reality evidence renaissance, Bret Michaels was giving his all to this raw chart-topper.
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"Wicked Games" by The Weeknd
Long before he was an A-lister big enough to headline the Super Bowl, The Weeknd was a mysterious figure in the nascent Toronto music scene, writing songs about excess and infidelity that sounded like the backwash of a post-breakdown bough.
His get-go major hit was "Wicked Games," a fiery track well-nigh wounded people finding solace in each other and hurting their actual partners in the process. Information technology'south a powerful showcase for The Weeknd's crystalline tenor, which seems to bladder a thousand feet in a higher place the instrumentals muddy guitar and bass.
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"Somebody That I Used To Know" by Gotye ft. Kimbra
Most somber honey songs come from a singular perspective:I'one thousandinjure.Idon't dear you anymore.Idon't want to exist solitary. What makes Gotye and Kimbra's "Somebody That I Used to Know" and so singular and indelible is that it offers both perspectives on a failed relationship, shifting vantage points in the center to remind united states that even though we may demonize an ex, nosotros're rarely complimentary of blame.
And the song clearly resonated with fans, condign one of the about successfulHot 100entries ever, going eight-times platinum in the U.S., and turning the previously unknown Gotye into a star.
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"Giving Up" by Whitney
Sometimes relationships fall apart all at once, merely oft they crumble in tedious motion. A missed phone telephone call here, a late night out with no caption there. This kind of disintegration is the subject of Whitney's melancholic "Giving Up."
A deviation from the sunnier sound of their debut anthology, "Giving Up" however exists in the same country-soul-indie rock universe, with twangy guitars, dusty piano, and singer Julien Ehrlich's signature reedy tenor.
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"EARFQUAKE" by Tyler, the Creator ft. Playboi Carti
In a unlike world, "EARFQUAKE" would have been one of 2019'southward inescapable popular smashes. Tyler, the Creator originally wrote it to give to Justin Bieber, later offer it to Rihanna, before ultimately claiming it for himself. It'due south hard to flick the vocal with anyone else on lead vocals. When he pleads, "Don't exit, it's my mistake," the desperation is palpable.
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"when the political party's over" by Billie Eilish
Some sad love songs are grand and sweeping, merely Billie Eilish'southward "when the political party's over" cuts in the complete other direction. With hundreds of layers of vocal harmonies and Eilish'southward trademark hushed tones, the song feels like it'south existence sung into your ear from two inches away.
There's an near religious quality to the lead melody and how it's absolute by the harmonies, making "when the political party's over" into a vigil for a human relationship stuck in the liminal infinite between friends and lovers.
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"Ex-Factor" past Lauryn Hill
This vocal brings united states into the button-pull of a dysfunctional relationship, one that oft gets correct upwardly to the breaking point without ever crossing that concluding threshold.
If "Ex-Factor" sounds eerily familiar to younger listeners, it'southward because Drake sampled information technology for his huge 2018 striking, "Overnice For What."
Source: https://www.oprahdaily.com/entertainment/g35135240/sad-love-songs/
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